UPDATE: Adam Driver’s big-budget sci-fi thriller, 65, is set to make its streaming debut on HBO Max starting January 1, 2023, following a disappointing box office performance earlier this year. Despite a lackluster critical reception, with a mere 36% rating on Rotten Tomatoes, audience scores have been more favorable, sitting at 64%. This shift marks an urgent opportunity for viewers to explore the film as curiosity ramps up.
The film, directed by Scott Beck and Bryan Woods, follows Mills, a professional pilot portrayed by Driver, who embarks on a perilous space mission to fund medical treatment for his ailing daughter. A catastrophic asteroid strike leads to a crash landing on an unfamiliar planet—Earth, but not as we know it. Mills discovers he is not alone; he teams up with Koa, a young girl, and together they navigate a treacherous landscape teeming with hostile dinosaurs.
Viewers are reacting to the film’s chaotic premise. As people crave escapism, the prospect of watching Driver navigate a prehistoric nightmare has sparked renewed interest. Critics have noted the film’s shortcomings, describing it as “standard blockbuster schlock,” yet the sheer spectacle of Driver battling a T-rex draws viewers in.
In a critical review from Collider, the anticipation for the climactic dinosaur showdown is described as ultimately “disappointing,” lacking the impact expected after a slow buildup. Despite its flaws, 65 taps into the current desire for thrilling, low-stakes entertainment that many are seeking.
As the streaming release approaches, it’s clear that 65 is generating buzz, and for Adam Driver fans, this film presents a unique chance to see the acclaimed actor in an unexpected role.
What’s next? With the film’s arrival on HBO Max, industry watchers are keen to see if the streaming audience will embrace 65 differently than theater-goers did. This developing story highlights the evolving landscape of film consumption, where streaming can redefine a movie’s legacy long after its theatrical run.
Stay tuned for more updates as we monitor viewer reactions and any potential shifts in the film’s status following its streaming debut.
