The representation of LGBT characters in television and streaming series is set to decline significantly, with a projected decrease of 41 percent for the upcoming season. This change follows a growing backlash against what some critics label “woke” messaging in Hollywood productions. According to the annual Where We Are On TV report released by the advocacy organization GLAAD, there are currently 489 LGBT characters across scripted primetime, broadcast, cable, and streaming platforms for the 2024-2025 season. While this marks a 4 percent increase from last year, it remains substantially lower than the record high noted in the 2021-2022 season.
GLAAD’s findings suggest a stark shift in the industry landscape, with many characters not returning due to show cancellations or character exits. The report highlights that only one in four transgender characters will continue in their roles, a trend that has raised alarm among advocates for representation. GLAAD President Sarah Kate Ellis emphasized the importance of maintaining LGBT visibility in media, stating, “GLAAD is partnering with entertainment industry leaders to meet a clear call: Do not cave to pressure to reduce LGBTQ representation.”
Industry Response to Cancellations
Ellis also pointed out that American audiences are more inclined to watch shows featuring at least one LGBT character, arguing that “LGBTQ-inclusive shows are good for business.” She warned that the increasing number of cancellations sets a “dangerous precedent” for future programming, particularly as conservative groups exert pressure on networks to limit such representation.
The backlash against LGBT content has gained traction, with notable figures such as billionaire Elon Musk advocating for boycotts of platforms like Netflix following the cancellation of the animated series “Dead End: Paranormal Park.” This show faced criticism for allegedly pushing transgender themes aimed at children. Similarly, Disney has also faced scrutiny, leading to the cancellation of shows featuring LGBT characters and storylines. In 2024, Disney+ cancelled the highly scrutinized “The Acolyte,” a Star Wars prequel series, after one season. This series was criticized for its portrayal of “lesbian space witches,” according to detractors.
Showrunner Leslye Headland, who identifies as openly gay, referred to the series as “the gayest Star Wars show,” and noted that certain elements were intentionally included to reflect diversity.
Shifts in Film Representation
The trend of limiting LGBT representation extends to film as well. Pixar faced backlash for altering its animated feature “Elio,” about an 11-year-old boy who becomes an ambassador of Earth. Originally, the character was meant to be “queer coded,” but references to his sexuality were removed prior to its release in June 2025. The film, which experienced a year-long delay, reportedly grossed only $20.8 million at the box office.
Concerns over LGBT representation have even reached beyond traditional conservative critiques. In August, rapper Snoop Dogg expressed discomfort during an appearance on the podcast “It’s Giving.” He shared an experience where his grandson questioned the dynamics of a female character having a child with another woman in Pixar’s “Lightyear.” “I didn’t come in for this s—. I just came to watch the … movie,” he remarked, reflecting a growing apprehension among some audiences regarding the content presented to younger viewers.
As the landscape of television and film evolves, the decrease in LGBT representation raises questions about the future of inclusivity in storytelling. The industry must navigate the complexities of audience expectations and societal pressures while striving to maintain diverse narratives that resonate with all viewers.
