A groundbreaking theatrical production in Coimbra, Portugal, aims to challenge societal stigma surrounding bipolar disorder through a unique blend of art and science. Titled Oxímoro, entre Solstícios e Equinócios (Oxymoron, Between Solstices and Equinoxes), the play was created by the theater company Marionet and illustrates the complexities of mental health using insights from professionals and patients alike.
The play, which ran from March 20 to 24, 2024, at the BlackBox of Convento São Francisco, was developed in collaboration with doctors, researchers, and individuals living with bipolar disorder. The goal was to educate the public about mental health issues while also fostering empathy and understanding. A short promotional trailer on YouTube highlights the importance of accurately portraying bipolar disorder, countering common misconceptions and jokes that trivialize the condition.
The artistic team included specialists from the Center for Neuroscience and Cell Biology at the Universidade de Coimbra, who provided insights into the scientific aspects of bipolar disorder. According to Mário Montenegro, a key figure in the project, the integration of scientific research from the outset was crucial. He noted, “We felt the need to change our creative process, because these were delicate subjects that touched people’s lives. We realized we needed to be even better informed.”
By directly engaging with patients and health professionals, the team gathered firsthand accounts that informed the script. Rather than following a single narrative, the play features multiple characters and scenarios, allowing audiences to reflect on various experiences related to bipolar disorder. This format was designed to foster emotional engagement and personal identification among viewers.
After each of the six performances, audience members were invited to complete a questionnaire about their experience. Out of approximately 300 attendees, 54 provided feedback, revealing a strong emotional impact from the play. Montenegro stated, “It was an emotionally very strong play, and the emotional engagement from the audience was very strong as well.”
The analysis of audience responses indicated that emotions played a significant role in the assimilation of information regarding bipolar disorder. Engagement and empathy not only helped attendees remember the scientific content but also contributed to reducing stigma and stereotypes associated with mental illness.
Montenegro emphasized that the theatrical experience did not compromise the accuracy of the information presented. Instead, he argued that when emotions are thoughtfully integrated into storytelling, they can enhance the message and inspire audiences to delve deeper into the subject matter. “An important aspect of our play was not to offer the audience a pre-established interpretation of the illness,” he explained. “We left the interpretation open so that spectators could form their own opinions.”
The insights gained from this project are detailed in a paper titled “Theatre and bipolar disorder: dealing with emotions,” published in the Journal of Science Communication. The paper is part of a special issue focusing on emotions in science communication.
Luisa Massarani, a researcher at the Brazilian Institute of Public Communication of Science and Technology, commented on the significance of such initiatives. She noted that while emotions are often overlooked in discussions about science communication, there is growing recognition of their importance in engaging the public.
This innovative approach to addressing mental health through theater exemplifies how creative expression can serve as a powerful tool for education and awareness. By presenting complex issues like bipolar disorder in a relatable format, the Marionet theater company not only entertains but also enlightens audiences, paving the way for greater understanding and acceptance of mental health challenges.
